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Harriet is a professional costume, prop and puppet maker based in the UK, she also works on set and backstage. She has been in the industry for 8 years and has worked on everything from regional theatre to Disney’s Aladdin and Netflix’s The Dark Crystal. She is currently moving into a new workshop to expand her costume and prop making business, this mostly consists of wondering why she owns so many sewing machines and shouting at the 3D printer.
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The Wardrobe Chronicles.
Resources. Community. Stories from the Industry.
As a freelance maker the question I get asked most often by newbies to the industry is ‘What should I charge for my work?’. I
One of the pros for working in one is that it provides more social working hours and stability than freelancing. Photographers, Stylists, Designers, Supervisors and researchers all rely on hire companies to provide costumes for their needs.
Talking about money can feel awkward. But the more you do it the more natural it becomes. But where do you start?